Senin, 30 Maret 2020

The Lovely Bones 2009 Estreno España

The Lovely Bones 2009 Estreno España






The Lovely Bones 2009 Estreno España- crítica - auf italienisch -M4V-Google Drive mp4- 720p -año- blu ray .jpg



The Lovely Bones 2009 Estreno España




Equipo De Filmación




Coordinación Departamento de arte:
Patti Justice


Coordinador de acrobacias:
Costa Blum


Diseño de guión:
Braedon Razane


Imágenes : Callen Baird
Co-Produzent : Maryim Braidy


Productor ejecutivo : Janey Tannery


Director de arte supervisor:
maelyne Mika


Produce|Producir : Vang Dubois


Fabricante: Avena Jakobus


Actriz : Kadyn Chase








6.8
2412















































Título de la película






The Lovely Bones 2009 Estreno España







Hora




157 minuto





Lanzamiento




2009-12-26





valor




MPE 1080p
Bluray





Categoría




Fantasy, Drama





habla




English





nombre de reparto




Élina
O.
Todd, Participant MediaPiers Q. Homayra, Craig A. Tobie







[HD] The Lovely Bones 2009 Estreno España


Most people have probably seen The Lovely Bones by now but I will keep the spoilers to a minimum. This film will always be remembered as the breakout role for the incredible Saoirse Ronan. It will also be remembered as one of the most controversial films ever made. People tend to break off into two camps: Team Salmon or Team Harvey.

It starts off innocently enough: a boy-crazy teenage girl in the 1970s is crushing on a man at school. It seems that he is interested in Susie too and despite the disparity in age, she falls for his charms, mostly due to his exchange student allure and suave accent. As the film progresses, it becomes clear that another gentleman is also interested in the nubile teen. His name is Mr. Harvey and he lives in Susie's neighborhood. Unlike the man from school, Mr. Harvey puts in a tremendous amount of effort in an attempt to win the love of Susie Salmon. He builds her an amazing underground clubhouse, complete with all the stuff young people from that era loved. He had beverages such as Coca Cola that he selflessly shared with Susie as they hung out. It became clear that Mr. Harvey, while having great taste in females, was a bit awkward around them. His nervousness around Susie Salmon was evident and she picked up on that. Girls prefer a man with confidence. I also feel that maybe she was turned off because the Coke that Mr. Harvey gave her was warm. I didn't see an ice-filled cooler in the clubhouse anywhere. So I think these factors all led to Susie Salmon losing her patience, which erupted in an unfortunate display of rudeness. Mr. Harvey only had one rule in the clubhouse: Be polite. Susie Salmon broke that rule and the series of events that followed spiraled into one great, big, unfortunate chain reaction.

There are no bad people in The Lovely Bones. True, Susie Salmon came off as being a little narcissistic and immature but she was only 14 years old. Mr. Harvey was socially awkward and made some unfortunate choices in life but he had a deep desire to be loved and respected. Despite his talents and generosity, it seemed nobody opened up their heart to him.

The Lovely Bones is a film that will force you to take sides. Whether you end up on Team Harvey or Team Salmon, be prepared for an emotional ride. There are great performances all around. 8/10.
This was a very good movie. I never heard of this movie so i was watching my tv,lazy day so i left this on my tv and i was really interesting movie. I will give a 9 out of 10
After being brutally murdered, 14-year-old Susie Salmon watches from heaven over her grief-stricken family -- and her killer. As she observes their daily lives, she must balance her thirst for revenge with her desire for her family to heal.


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The Lovely Bones 2009 Estreno España

The Lovely Bones 2009 En Castellano

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The Lovely Bones 2009 Online Castellano

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The Lovely Bones 2009 Ver The Lovely Bones 2009 Online Castellano

The Lovely Bones 2009 Pelicula Completa Castellano

Minggu, 29 Maret 2020

The Apparition 2012 Estreno España

The Apparition 2012 Estreno España






The Apparition 2012 Estreno España- final -1440p-BDRip- Watch The Apparition Gratis en línea - reloj -año- blu ray .jpg



The Apparition 2012 Estreno España




Equipo De Filmación




Coordinación Departamento de arte:
Zavala Aloys


Coordinador de acrobacias:
Small Mitsuko


Diseño de guión:
Lazure Wyman


Imágenes : Korra Arsan
Co-Produzent : Marlana Sheen


Productor ejecutivo : Razvan Sujay


Director de arte supervisor:
Riko Bryant


Produce|Producir : Gurmeet Macklin


Fabricante: Leeya Azad


Actriz : Yazmin Leondra








4.4
247















































Título de la película






The Apparition 2012 Estreno España







Momento




117 minuto





Lanzamiento




2012-08-23





valor




M1V 720p
TVrip





Categoría




Horror, Thriller





habla




English





nombre de reparto




Denas
W.
Shivraj, Blaise Media Iraida J. Laberge, Brydon N. Dejourn







[HD] The Apparition 2012 Estreno España



Plagued by frightening occurrences in their home, Kelly and Ben learn that a university's parapsychology experiment produced an entity that is now haunting them. The malevolent spirit feeds on fear and torments the couple no matter where they run. Desperate, Kelly and Ben turn to a paranormal researcher, but even with his aid, it may already be too late to save themselves from the terrifying presence.


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The Apparition 2012 Filmaffinity

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The Apparition 2012 Estreno España

The Apparition 2012 En Castellano

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The Little Death 2014 Estreno España

The Little Death 2014 Estreno España






The Little Death 2014 Estreno España- en - online schauen -HDTS- Google Play - medios -año- ganzer film .jpg



The Little Death 2014 Estreno España




Equipo De Filmación




Coordinación Departamento de arte:
Paulson Sloan


Coordinador de acrobacias:
Elma Byren


Diseño de guión:
Sunni Ngozi


Imágenes : Ernis Riegel
Co-Produzent : Longet Bryce


Productor ejecutivo : Pétain Chloe


Director de arte supervisor:
Yoonis Mahria


Produce|Producir : Fenna Avis


Fabricante: Salomé Jamya


Actriz : Fifine Florus








6.6
244















































Título de la película






The Little Death 2014 Estreno España







Reloj




128 minuto





Lanzamiento




2014-06-13





precio




M2V 1440p
HDTV





Categorías




Drama, Comedy, Romance





habla




English





nombre de reparto




Piketty
F.
Jolien, Borsalino ProductionsShalona D. Nadeen, Bennett O. Lalya







[HD] The Little Death 2014 Estreno España



A comedy film that looks into the loosely connected lives of people with strange sexual fantasies. A woman with a dangerous fantasy and her partner's struggle to please her. A man who begins an affair with his own wife without her knowing anything about it. A couple struggling to keep things together after a sexual experiment spins out of control. A woman who can only find pleasure in her husband's pain. A call centre operator caught in the middle of a dirty and chaotic phone call. And the distractingly charming new neighbour who connects them all.


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The Little Death 2014 Ver The Little Death 2014 Online Castellano

The Little Death 2014 Pelicula Completa Castellano

The Minuteman Estreno España

The Minuteman Estreno España






The Minuteman Estreno España- maléfique - descargar -DTS-Estreno España- predicciones -año- película de ganzer .jpg



The Minuteman Estreno España




Equipo De Filmación




Coordinación Departamento de arte:
Tyrel Zenib


Coordinador de acrobacias:
Alsatia Soto


Diseño de guión:
Park Imari


Imágenes : Edona Atrina
Co-Produzent : Saphary Khalil


Productor ejecutivo : Ranim Tassia


Director de arte supervisor:
Gamar Kelton


Produce|Producir : Sagan Kamden


Fabricante: Naly Makhan


Actriz : Auger Maxence

























































Título de la película






The Minuteman Estreno España







Reloj




136 minuto





Lanzamiento










costo




M1V 720p
BRRip





Género




Action, Thriller





habla




English





nombre de reparto




Gina
X.
Maeva, FilmarmonikiMillie K. Rougier, Nirujan H. Japjit







[HD] The Minuteman Estreno España



A rancher on the Arizona border becomes the unlikely defender of a young Mexican boy desperately fleeing the cartel assassins who've pursued him into the U.S.


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The Minuteman Pelicula Completa Castellano

Sabtu, 28 Maret 2020

Palm Springs 2020 Estreno España

Palm Springs 2020 Estreno España






Palm Springs 2020 Estreno España- cerca de mí -WEB-DL-M2V- Watch Palm Springs Online Reddit - regal -año- deutsch .jpg



Palm Springs 2020 Estreno España




Equipo De Filmación




Coordinación Departamento de arte:
Jaylon Samms


Coordinador de acrobacias:
Suresh Malot


Diseño de guión:
Jasreen Eliezer


Imágenes : Thiya Nayim
Co-Produzent : Villey Jazmin


Productor ejecutivo : Hoover Owens


Director de arte supervisor:
Light Zemira


Produce|Producir : Marcelo Hocine


Fabricante: Ilyane Fréret


Actriz : June Jimmy

























































Título de la película






Palm Springs 2020 Estreno España







Momento




178 segundos





Lanzamiento




2020-01-26





cantidad




M2V 1440p
Blu-ray





Categoría




Comedy





habla




English





nombre de reparto




Grivois
C.
Anays, Clean CutsDubas B. Taherah, Payet X. Gabrio







[HD] Palm Springs 2020 Estreno España



When carefree Nyles and reluctant maid of honor Sarah have a chance encounter at a Palm Springs wedding, things get complicated as they are unable to escape the venue, themselves, or each other.


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Twixt 2011 Estreno España

Twixt 2011 Estreno España






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Twixt 2011 Estreno España




Equipo De Filmación




Coordinación Departamento de arte:
Aurelio Meza


Coordinador de acrobacias:
Curie Molière


Diseño de guión:
Leïna Yves


Imágenes : Auhert Vouet
Co-Produzent : Maura Zixuan


Productor ejecutivo : Shyla Elwanda


Director de arte supervisor:
Nadina Helie


Produce|Producir : Boutin Elea


Fabricante: Delgado Kaelie


Actriz : Remaya Lloyd








5
140















































Título de la película






Twixt 2011 Estreno España







Hora




183 minutos





Lanzamiento




2011-09-10





precio




MPEG-1 1440p
HDTV





Categoría




Horror, Mystery, Fantasy, Comedy





lenguaje




English, Français





nombre de reparto




Sixte
D.
Radu, Present PicturesJosilyn E. Gessica, Zainah A. Thurman







[HD] Twixt 2011 Estreno España



A declining writer arrives in a small town where he gets caught up in a murder mystery involving a young girl.

Интеллектуальный анализ текста — Википедия ~ text mining — направление в искусственном интеллекте целью которого является получение информации из коллекций текстовых документов основываясь на применении эффективных в практическом

Текст — Википедия ~ Текст в своем роде состоит из некоторого количества предложенийОдно предложение даже

Долли овца — Википедия ~ Овечка До́лли англ Dolly 5 июля 1996 — 14 февраля 2003 — первое клонированное млекопитающее животное которое было получено путём пересадки ядра соматической клетки в цитоплазму яйцеклетки Овца Долли являлась

Брускина Мария Борисовна — Википедия ~ Мария Борисовна Брускина Мария Брускина перед казнью на фото — в центре со щитом на груди на щите надпись на немецком и русском языках «Мы партизаны стрелявшие по германским войскам» 26 октября 1941 года

Вывод советских войск из Афганистана — Википедия ~ Вывод советских войск из Афганистана начался 15 мая 1988 года в соответствии с заключёнными 14 апреля 1988 года Женевскими соглашениями о политическом урегулировании положения вокруг ДРА

Электрический самолёт — Википедия ~ С 1983 по 2003 годы агентство NASA финансировало создание самолётов Pathfinder и его модификаций Pathfinder Plus Centurion и Helios в рамках экологических исследований Последнему из них принадлежит рекорд по высоте подъёма среди крылатых

Ибн Баз — Википедия ~ Абд альАзи́з ибн Абдулла́х ибн Баз 21 ноября 1910 ЭрРияд — 13 мая 1999 Мекка — саудовский государственный и религиозный деятель исламский богослов верховный муфтий Саудовской Аравии с 1993 по 1999 год был одним из

Жириновский Владимир Вольфович — Википедия ~ Влади́мир Во́льфович Жирино́вский род 25 апреля 1946 АлмаАта Казахская ССР СССР — советский и российский политикРуководитель фракции ЛДПР в Государственной Думе Федерального собрания Российской Федерации с 1993

Табаков Олег Павлович — Википедия ~ Биография Жизнь в Саратове Олег Табаков родился 17 августа 1935 года в Саратове в семье врачей — Павла Кондратьевича Табакова и Марии Андреевны Березовской



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Submission 2018 Estreno España

Submission 2018 Estreno España






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Submission 2018 Estreno España




Equipo De Filmación




Coordinación Departamento de arte:
Latham Prosper


Coordinador de acrobacias:
Virgile Faye


Diseño de guión:
Emeric Allysa


Imágenes : Boutin Ledoyen
Co-Produzent : Romina Cristi


Productor ejecutivo : Dubost Rajesh


Director de arte supervisor:
Alana Hadley


Produce|Producir : Leone Yaniss


Fabricante: Longet Trish


Actriz : Johns Uriah








6.7
14















































Título de la película






Submission 2018 Estreno España







Hora




114 segundos





Lanzamiento




2018-03-02





valor




M2V 1080p
HDRip





Categoría




Drama





habla




English





nombre de reparto




Koenig
J.
Emelina, Company 7Burguet A. Barnabé, Wesley M. Jaque







[HD] Submission 2018 Estreno España



A well-respected professor who is a celebrated novelist and loving husband loses himself when he becomes obsessed with an ambitious and talented student.


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Jumat, 27 Maret 2020

Godzilla: King of the Monsters 2019 Estreno España

Godzilla: King of the Monsters 2019 Estreno España






Godzilla: King of the Monsters 2019 Estreno España- entrevistas - mit untertitel -M4V- 4k BluRay - completo -año- ganzer film .jpg



Godzilla: King of the Monsters 2019 Estreno España




Equipo De Filmación




Coordinación Departamento de arte:
Jana Nevaeh


Coordinador de acrobacias:
Kaylyn Delorse


Diseño de guión:
Nuwair Tyméo


Imágenes : Lyne Plourde
Co-Produzent : Fayth Aesha


Productor ejecutivo : Conwell Leconte


Director de arte supervisor:
Romaric Hoquet


Produce|Producir : Palak Kelyan


Fabricante: Sarai Muzakir


Actriz : German Déborah








6.2
1878















































Título de la película






Godzilla: King of the Monsters 2019 Estreno España







Hora




128 segundos





Lanzamiento




2019-05-29





objetos de valor




ASF 1080p
BDRip





Categoría




Science Fiction, Action





habla




普通话, English, 日本語





nombre de reparto




Manago
O.
Angèle, Jumbo MediaHania N. Misty, Gurvir L. Pearlie







[HD] Godzilla: King of the Monsters 2019 Estreno España


‘Godzilla II: King of the Monsters’ promises to build on the great work already laid out for this franchise, mixing popcorn fun and thrilling craft, but instead it relinquishes all of that to be a predictably dull and plodding bore. It doesn’t even manage to be a fun, brainless monster movie, assuming that a satisfying monster battle is all about being big and loud and doing nothing else. We waited five years for the follow-up to ‘Godzilla’, which only makes this new film even more of a disappointment, and doesn't excuse the badly-written screenplay or the poorly-executed visual effects. With Dougherty handing the reigns over to horror director Adam Wingard for 2020’s ‘Godzilla vs Kong’, here’s hoping the Monsterverse finds its feet again.
- Daniel Lammin

Read Daniel's full article...
https://www.maketheswitch.com.au/article/review-godzilla-2-king-of-the-monsters-the-king-stumbles-in-this-loud-and-blundering-mess
Picking up after the events of the previous film; “Godzilla: King of the Monsters” deals with a world trying to assess what to do with the presence of the giant Titans. The Monarch Corporation wants the creatures studied and has established locales to study the ones they have found currently hibernating. The U.S. Government wants them destroyed as they do not want repeats of the destruction that was previously caused by Godzilla.

Dr. Emma Russell (Vera Farmiga) and her daughter Madison (Millie Bobbie Brown) have developed a device known as Orca that will allow them to communicate with the creatures using specific sonic frequencies.

After a successful test under duress; the duo are captured by a ruthless Eco Terrorist group who want to use the giant creatures for their own objectives.
This leads to a chase around the world with Monarch attempting to stop them and with Emma’s ex-husband Mark (Kyle Chandler) deeply involved though he is deeply divided as he blames Godzilla for the loss of their son.

When a gigantic creature is freed; Godzilla faces his greatest challenge as there is a race against time to save the world.

While the film has some very impressive visual effects, the film drags as aside from a couple of brief encounters; the audience is required to sit through roughly 90 minutes of plodding story to get to the action which is roughly only the last 15-20 minutes of the film.

The human characters were very disinteresting and many of the international cast looked at times like they were sleepwalking though their lines as they seemed to have a real lack of passion for what they were given to work with.

The human characters were also very annoying and I found myself hoping that they would be taken out by the creatures as I had no connection to them and they did not inspire any sympathy.

While it may possibly appeal to hardcore fans, this was a miss for me as there simply was not enough creature action to counter-balance having to sit through the human characters and plodding plot to get to the good stuff.

2.5 stars out of 5
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As some of you might know, Godzilla: King of the Monsters is one of my Most Anticipated Movies of 2019. Not because I expected it to be a beautifully written, heartfelt story with fully-developed characters who I would immensely care about. I was incredibly excited because it’s freaking Godzilla and from the few images that I had seen, it looked absolutely stunning. I didn’t need an Oscar-worthy screenplay or amazing performances. I just wanted a decent and logical (this last word is important) narrative with reasonable characters, and tons of monsters fighting to the death against each other. So, my expectations were neither complex or as high as some other people might have.

Unfortunately, I left the theater extremely disappointed. I can’t deny the impeccable VFX and the infinite amount of wallpaper-worthy images spread across the entire film. Some scenes are filled with jaw-dropping cinematography, astonishingly gorgeous monsters, and the fights feel so real that the sound design alone takes you to the edge of your seat. However, when the two pillars of any movie (story and characters) are so far away from even remotely working, there are no technically perfect aspects that can save the film from a disaster. I wrote this exact last sentence a few weeks ago regarding Game Of Thrones, and I will stand by it. I’m always the first guy to praise exceptional filmmaking skills, but if I have to choose between a technically seamless movie, and a film with a fantastic story and fully-developed characters, I have no doubts that the latter is the indisputably right choice.

Ultimately, that’s the huge problem here. The screenplay is loaded with some of the laziest exposition scenes I’ve seen in the last few years. Characters continuously have some sort of presentation to explain something in a completely unpredictable conversation randomly. Generally, a movie like this always has some kind of cliche secondary characters who are either a nerdy scientist, a comic-relief guy, a duo of bantering personalities or a military general who always wants to attack something, even though everyone knows it’s not the most intelligent decision. King of the Monsters has all of these types and more! More?! Seriously, Michael Dougherty and Zach Shields overstuff the narrative with so many unnecessary, useless, stereotypical characters who stretch the overall runtime and extend the periods between the massive fights, turning them into minutes of complete boredom.

I yawned during a Godzilla blockbuster. Yawned. How sad is that?! I really enjoyed Gareth Edwards’ 2014’s Godzilla. At the time, the most common complaint was that there wasn’t enough Godzilla in it. Most of the characters were well-written, despite that some could have been more fleshed out. King of the Monsters is (kind of) the other way around: there are dozens of monsters and bone-crushing, titanic fights, but they literally forgot to write a captivating story with compelling characters. In the first installment, even though I also wanted more Godzilla, when he actually shows up, I was so freaking excited! Since I had to wait for the third act to watch the Titans fight, the build-up that was generated and its payoff actually made the time spent with the human characters worthy.

This sequel was doomed from the moment the characters were written. There are a lot of fight sequences, and I wrote above that unnecessary characters extend the periods between these scenes. The dilemma is that those periods need to exist, making the whole thing look like a double-edged sword that the director is trying to avoid. On one hand, you can’t have an action set piece after another action set piece consecutively, otherwise, these will lose impact over time and become monotonous, so you need to spend time with the horribly-written human characters. On the other hand, you can’t have dumb characters with unclear motivations on-screen for long periods, otherwise, the audience will fall asleep of tediousness or get annoyed, so you have to insert a massive fight sequence again, hence making the audience gradually lose interest in those scenes.

King of the Monsters continuously repeats this cycle of going from one situation to the other. No one wants to have back-to-back fights because they’ll lose the impactful energy, but no one wants to waste their precious time listening to exposition-heavy PowerPoint presentations from characters no one is going to remember their name. I can’t even remember the main characters’ names, and I watched the movie yesterday! I can’t blame the cast, everyone gives good performances. Millie Bobby Brown (Madison Russell) continues her path to become one of Hollywood’s biggest stars (in less than 10 years, she’ll have an Oscar in her hands, I guarantee you that). Kyle Chandler (Mark Russell) does more than what was expected of him with such a lousy script, and Ken Watanabe (Dr. Ishiro Serizawa) is the only one who delivered a solid performance AND had a suitable character (fruit of the previous film). Vera Farmiga (Dr. Emma Russell) is connected to the worst character of the movie (atrociously irrational decisions made by Emma), and everyone else is pretty much one of the vast cliche secondary characters.

They had five years to write a straightforward narrative with simple characters. No fan neither wanted or needed a brilliant, groundbreaking screenplay. Dougherty and Shields delivered one of the worst scripts of the year, one filled with exposition, cliche characters, and a runtime that turned out to be way too long for someone to tolerate all of the dreadful dialogue. I don’t know if it will clearly end up as one of the worst films of 2019, but it’s definitely one of the biggest letdowns. All in all, Godzilla: King of the Monsters didn’t meet my expectations (and mine were pretty fair), not even close. Visually, it’s one of the most striking movies I’ve seen this year, and that can’t be dismissed. From the massive fights with the Titans to the impressive wide shots, Dougherty had a gorgeous diamond that he just needed to polish with a rational and simplistic story, like it was a soft, clean cloth. Instead, he used a hammer…

Rating: C-
It's dumb. Really dumb. And I don't mean "Oh it's a big, noisy action movie and it doesn't engage you very much mentally so that means it's stupid", I'm talking like, the rules contained within just this movie are frequently broken, and a big chunk of the ideas make no sense by the end. Dumb. But I still had a pretty good time with _King of the Monsters_ (kind of a weird title to give Godzilla when the tagline for the sequel is "God VS King", and Godzilla is not the king in that matchup, but I digress). The quality of the CGI varies _drastically_, but when it's good, it's **just** enough to get me over the line to enjoying it to the point I can give the movie a positive review.

_Final rating:★★★ - I liked it. Would personally recommend you give it a go._
**_Very loud, very dumb, and very entertaining_**

>_And four great beasts came up from the sea, diverse one from another. The first was like a lion, and had eagle's wings: I beheld till the wings thereof were plucked, and it was lifted up from the earth, and made stand upon the feet as a man, and a man's heart was given to it. And behold another beast, a second, like to a bear, and it raised up itself on one side, and it had three ribs in the mouth of it between the teeth of it: and they said thus unto it, "Arise, devour much flesh." After this I beheld, and lo another, like a leopard, whic__h had upon the back of it four wings of a fowl; the beast had also four heads; and dominion was given to it. After this I saw in the night visions, and behold a fourth beast, dreadful and terrible, and strong exceedingly; and it had great iron teeth: it devoured and brake in pieces, and stamped the residue with the feet of it: and it was diverse from all the beasts that were before it; and it had ten horns._

- Daniel 7:3-7

>_Behold a great red dragon, having seven heads and ten horns, and seven crowns upon his heads. And his tail drew the third part of the stars of heaven, and did cast them to the earth_ [...] _And I stood upon the sand of the sea, and saw a beast rise up out of the sea_ [...] _And they worshipped the dragon which gave power unto the beast: and they worshipped the beast, saying, "Who is like unto the beast? Who is able to make war with him?"_ [...] _And all that dwell upon the earth shall worship him, whose names are not written in the book of life of the Lamb slain from the foundation of the world._

- Revelation 12:3-13:8

I really enjoyed Gareth Edwards's 2014 _Godzilla_. Sure, there were plot holes through which you could drive an entire fleet of trains carrying nuclear weapons, it featured coincidences that stretched believability even by Hollywood's standards, the human characters were paper-thin, and it took itself very, very seriously. But I enjoyed it. As Edwards had already proved with his debut film, the superb _Monsters_ (2010) and as he would subsequently prove with _Rogue One: A Star Wars Story_ (2016), he has a knack for wedding large-scale CGI grandiosity to stories that feel contemplative and personalised. And I don't care how long this franchise may run, and how many films get churned out, Godzilla's mic-drop moment, when he holds the female MUTO's mouth open and breathes blue fire down its throat will never be topped in its "holy shit"-ness. Ironically enough though, what I admired most about the film is the same thing that a lot of people disliked - the fact that Edwards kept Godzilla's appearances so fleeting; it took over an hour before we first saw him, and then he got only seven minutes total screen time. Personally, I thought it was a masterclass in directorial restraint, and it had the effect that when the big final fight came, it hit home on so many levels because here, finally, we were getting to see the big guy throw down. Remember when Hulk Hogan was the WWF champion for three years running? He didn't wrestle on every show, he didn't even appear on every show. So when Wrestlemania came around, and we knew the Hulkster would be headlining, it meant more than if we'd just seen him the week prior. Same thing with _Godzilla_. However, I understand why some people were unimpressed that a film called _Godzilla_ featured so little, well, Godzilla!

The third film in Legendary Entertainment's "MonsterVerse" franchise, _King of the Monsters_ is a direct sequel to Edwards's film (although sadly, he doesn't return as director), and sets up Adam Wingard's _Godzilla vs. Kong_, which has already wrapped shooting, and is scheduled for release next summer. However, whereas Edwards held Godzilla back and made the action feel smaller by focalising it through the human characters, new director Michael Dougherty (_Trick 'r Treat_; _Krampus_) essentially inverts that formula, putting Godzilla front and centre for pretty much the entire runtime (there are four big fight scenes within the first half-hour alone), and shooting the action in such a way as to make it seem as grandiose as possible. Indeed, he told Collider, "_I would call it the_ Aliens _to Gareth's_ Alien." And although Dougherty isn't half the director that Edwards is, _King of the Monsters_ works pretty well in a braindead summer action movie that's wall-to-wall giant monsters fighting one another kind of way. Sure, there are significant problems (all the best shots are in the trailer, the plot is beyond laughable, the characters are so thinly sketched as to make those in the first film feel Shakespearean, clichés abound, the talented cast is wasted), but all things considered, I enjoyed it, as it accomplished exactly what it set out to accomplish, and you really can't fault a film for succeeding at its primary objective.

Five years since Godzilla defeated the MUTOs, many more creatures (newly dubbed Titans) have been found throughout the world, all in various forms of hibernation. In charge of studying and protecting them is the private company Monarch Sciences (introduced in a fledgeling state in Jordan Vogt-Roberts's _Kong: Skull Island_, which took place in 1973). As the film begins, Monarch employees Dr. Ishirô Serizawa (Ken Watanabe) and Dr. Vivienne Graham (Sally Hawkins), both returning from the previous film, are attempting to convince the Senate that under no circumstances should control of the Titans be turned over to the military, something with which Admiral William Stenz (the great David Strathairn, also returning from the first film) strongly disagrees. Meanwhile, in China, paleobiologist Dr. Emma Russell (Vera Farmiga) and her daughter Madison (Millie Bobby Brown) watch the awakening of the larval form of Mothra. However, when Mothra becomes distressed, Emma is able to calm it using the ORCA, a device which monitors the Titans' bioacoustics and transmits a dominant "alpha signal" capable of placating them. Soon thereafter, eco-terrorist Jonah Alan (Charles Dance) and his private army storm the facility, stealing the ORCA, and kidnapping Emma and Madison. In response, Monarch track down Dr. Mark Russell (Kyle Chandler), Emma's estranged husband, and co-designer of the ORCA, hoping he might be able to help find Jonah. Mark and Emma lost a son in San Francisco during the fight between Godzilla and the MUTOs, and whereas Emma came to feel the Titans could help humanity, Mark became convinced they should all be eradicated. Meanwhile, Jonah heads to the Monarch facility in Antarctica and unleashes the only non-terrestrial Titan, a fearsome three-headed dragon codenamed "Monster Zero", but whom ancient humans knew as King Ghidorah. Arguing that humanity has brought the planet to the point of destruction, Jonah believes that if the Titans are awoken, the ensuing conflict would wipe out most of human civilisation, allowing the planet the time it needs to heal. And so, with Ghidorah awakening the various Titans throughout the world, Godzilla emerges to stand against him.

With production wrapping on _King of the Monsters_ in 2017, and with two release dates scrapped, the film was beginning to accrue some pretty bad buzz. Then that magisterial first trailer dropped, showing Mothra spanning her glorious wings scored with a remix of Claude Debussy's "Clair de Lune" from _Suite bergamasque_ (1890) and promising a film of pensive apocalyptic goings-on. It was the sort of trailer to turn even the biggest naysayer around. The good news is that all the best bits from the trailer are in the film. The bad news is that most of the best bits from the film are in the trailer.

Godzilla was originally created by Tomoyuki Tanaka, Ishirô Honda, and Eiji Tsuburaya, and first seen on screen in 1954's _Gojira_ (released in North America in 1956 as _Godzilla, King of the Monsters!_, a reedited version of the original with additional scenes and new actors). Over the last six decades, he has appeared in all manner of films and TV shows, from action flicks to eco-metaphors to kid's cartoons to comedy to whatever the hell Roland Emmerich's 1998 version was. Conceived in the wake of Hiroshima and Nagasaki, as well as the Daigo Fukuryū Maru incident, Godzilla was intended as a metaphor for the destructive power of nuclear weaponry. Thematically speaking, the highpoint of the "Kaiju" (Japanese for "strange beast") genre thus far is probably Hideaki Anno's _Shin Gojira_ (2016), which was a political satire inspired by the Japanese government's response to the 2011 Tôhoku earthquake and tsunami, and the subsequent Fukushima Daiichi nuclear accident.

_King of the Monsters_ has one eye on its themes too (a dire warning of oncoming eco-disaster, biodiversity, co-existence with other species, military impulsiveness, the insignificance of humanity compared to the vastness of nature), but really, the sermonising, exposition-heavy script by Dougherty and Zach Shields, from a story by Max Borenstein, is so badly put together, with the characters' motivations so poorly delineated, that any thematic concerns dissipate into nothing. Part of this is that the narrative simplifies Godzilla's 'morality'. Traditionally, Godzilla is inherently benevolent. However, in the 2014 version, Edwards muddied this concept brilliantly, depicting a monster that was fairly indifferent to humanity and was far more concerned with the biological drive to reassert his alpha status. In _King of the Monsters_, both Godzilla and Mothra are fundamentally good, and they wish to protect humanity from Ghidorah, which is more binary and not nearly as interesting a position to take.

And yes, the film does address the fact that through inattention and greed, humanity is on the brink of ensuring its own extinction. Jonah, of course, believes that giving the earth back to the Titans is all humanity deserves, and is exactly what the planet needs (it's revealed early in the film that the Titans leave behind biomatter which results in the rapid growth of vegetation). For her part, Emma compares humanity to a virus, and the Titans to a "fever" that could eradicate it. Elsewhere, obviously with one eye on the issue of American isolationism under Trump, as well as the unstable geopolitical situation, Serizawa states, "_sometimes, the only way to heal a wound is to make peace with the demon who caused it_". The problem with all of this is that the script is so ham-fisted and poorly structured, the eco themes so preachy, and the organic integration of those themes into the action so lacking, that they come across as background irrelevancies at best, and distracting moralising at worst. And in any case, the film ultimately undermines all of this in favour of reaffirming the clichéd old notion of human perseverance in the face of adversity.

As we're discussing the script, another problem is repetition. For example, on several occasions, Godzilla is getting his ass handed to him, only to make an 'unexpected' comeback, whilst not one, not two, but three characters sacrifice themselves for the greater good (all at different times), resulting in none of the sacrifices really meaning anything. There are also some hideous clichés. At one point, on their flagship the ARGO, the Monarch people are listening to Godzilla's heartbeat, which is becoming weaker and weaker, and Dr. Rick Stanton (a criminally underused Bradley Whitford) implores, all earnest-like, "_c'mon big guy_." It's supposed to be a moment of great pathos, tapping into the audience's empathy for Godzilla. Instead, at the screening I attended, everyone laughed, so clunky and self-serious was the moment.

Another scene that doesn't work, although in a completely different way, is the death of a major character; it happens so suddenly, amidst so much chaos, with the camera not even focused on them, that in the very next scene, the film has to show us their face on a monitor with the word "Deceased" written underneath. Not exactly the best way to handle a major death. There's also a (predictable) twist based on what could charitably be called ill-defined character motivations. The character of Mark is also peculiarly written. Played by the top-billed Kyle Chandler, he has precious little to do for most of the film other than look at monitors with a concerned expression, coming off more as a fed-up dad than the protagonist of a Kaiju film. There are also far too many scenes of characters standing on the bridge of the ARGO, spouting expositional word-dumps at one another, oftentimes even narrating their motivations. In any case, not a single character in the film comes across as three-dimensional, with not a hint of interiority amongst the lot of them. Additionally, because the scale of the fights is so massive, and the humans so poorly written, Dougherty is unable to make the characters seem even remotely significant. This was another area where Edwards did well, marrying the spectacle with smaller human drama, but Dougherty allows the spectacle to overwhelm everything else.

There are also some hilarious spatial hijinks going on. I get that the ARGO is supposed to be a super-advanced high-tech mobile fortress, but it seems capable of flying from one side of the planet to the other in about ten minutes. From Colorado to China to Bermuda to Antarctica to Mexico to Massachusetts, unless the ARGO is capable of transportation, there's some _Game of Thrones_-level compression of distances going on. Related to this is that Zhang Ziyi plays twins (Dr. Ilene Chen and Dr. Ling Chen), who we never see together. Except I didn't even realise there were two of them until I read a few reviews. Sure, I noticed what I thought was a singular character appear to be in two places at once, but because the ARGO had already been globe-hopping all over the place by that point, I just put it down to the film's lack of geographic realism. The fact that it's so easy to miss that there are twins is spectacularly bad writing, especially considering they're supposed to be a modernised version of the Shobijin, two fairies that speak for Mothra. Also, Aisha Hinds as Colonel Diane Foster, O'Shea Jackson Jr. as Chief Warrant Officer Jackson Barnes, and Thomas Middleditch as Dr. Sam Coleman may as well not be in the film at all, so little are they given to do. The same could be said for most of the Titans. Apart from the central tag-teams of Godzilla and Mothra facing off against Ghidorah and Rodan, most of the rest (including those newly created for the film - Baphomet, Typhon, Abaddon, Bunyip, and Methuselah) are seen only in news reports and a montage that plays behind the closing credits, although a few do turn up for one scene.

But for all that, however, I thoroughly enjoyed _King of the Monsters_. Although the trailer does promise what the film can't deliver, aesthetically, there's a lot to admire. The sound design by Erik Aadahl (_I, Robot_; _The Tree of Life_; _A Quiet Place_) Brandon Jones (_13 Hours_; _The Shallows_), and Tim Walston (_The Incredible Hulk_; _Pacific Rim_; _Chronicle_) is suitably deafening, and the cinematography by Lawrence Sher (_The Hangover_; _War Dogs_; _Joker_) has a well-judged sense of scale, especially in the 2.39:1 3D IMAX format. This is complemented by the editing by Roger Barton (_Gone in 60 Seconds_; _Pearl Harbor_; _The Grey_), Bob Ducsay (_Season of the Witch_; _Looper_; _Rampage_), and Richard Pearson (_The Bourne Supremacy_; _Quantum of Solace_; _Iron Man 2_), who maintain the rhythm of even the most chaotic action scenes. And even though pretty much the entire film takes place at night in the midst of a storm of the Titans' own making, it never becomes difficult to follow or see what's happening.

The film also does some interesting things with colour. Whereas the palette is predominantly mixed when we're with the human characters, the Titans are coded in binary elemental colours: Mothra glows blue as a larva and gold in her final form, Rodan reflects the hardened red of the lava from which he emerges, Godzilla is the green of nature, Ghidorah is a neutralising dark brown. There are also some extraordinary individual shots (most of which have unfortunately been spoiled by the trailer); Mothra spreading her wings for the first time, Ghidorah perched atop an erupting volcano with a crucifix looming in the foreground, the reveal of Godzilla's lair. And the final shot is a goosebumps moment with which no Kaiju fan could possibly be dissatisfied. Purely at the level of craft, this is a hugely impressive film.

_Citizen Kane_ it most certainly isn't, but who expected (or wanted) it to be. The key to really parsing the film is to consider the context, looking at what it was trying to be. And in this sense, it's a success. Sure, the script is hideous, and Dougherty is no Edwards, struggling to accomplish what Edwards seemed to do with ease; bring his own personality to the spectacle. However, if you approach it for what it is, a dumb summer blockbuster about large monsters punching each other, you'll like it just fine.
When I watched the 2014 Godzilla movie I was less than impressed as can be seen from my review here.

When watching this one I felt it was marginally better.

True to the Hollywood standards today, or perhaps lack thereof, the script writers just had to try and squeeze in a lot of green bullshit about how we destroy the planet and something has to be done bla bla bla.

Interesting enough though, the way it was done, actually made the green fanatics the bad guys in the movie. Whether that was intentional or the writers was too stupid to realize it I do not know.

The story is essentially about how one green fanatic in particular releases the “Titans” as they are called in the movie and uses them to wreak havoc, killing millions, to “balance things” and start a new world. That is your typical green fanatic although with a bit more means than usual to implement his deluded fantasies. Of course Godzilla, with the help of a few clear minded humans, comes to the rescue. That’s pretty much it. As I wrote, a typical substandard Hollywood script.

What makes this movie better though is that the implementation is not so shit full of absolutely stupid and unintelligent sequences as the 2014 movie. The implementation is actually not that bad. The action sequences are really quite good and there’s plenty of big ass monsters in this movie.

I also quite liked that cool super-carrier airplane that the Monarch crew flew around in.

As despicable as the previously mentioned green fanatic is, the role was nicely implemented as well as the main protagonist and most people around him.

The part about kick-starting Godzilla after he was wounded by detonating a nuke in front of his nose was a bit silly though. So was the hole it’s to hot and radioactive for drones as well as for a nuclear submarine so let’s send in a guy on foot. Seriously?

Also the after scenes where life magically sprouted everywhere the Titans had wrecked havoc was more than a little stupid.

If this hadn’t been a cool giant monster movie with a lot of special effects I would have scored it a lot lower. However, I am a sucker for these kinds of movies and I really like Godzilla. I even watched some of the old black and white movies when I was a kid.
Follows the heroic efforts of the crypto-zoological agency Monarch as its members face off against a battery of god-sized monsters, including the mighty Godzilla, who collides with Mothra, Rodan, and his ultimate nemesis, the three-headed King Ghidorah. When these ancient super-species - thought to be mere myths - rise again, they all vie for supremacy, leaving humanity's very existence hanging in the balance.


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November Criminals 2017 Estreno España

November Criminals 2017 Estreno España






November Criminals 2017 Estreno España- fanning - englisch -MPEG-1- Película en línea- png -año- blu ray .jpg



November Criminals 2017 Estreno España




Equipo De Filmación




Coordinación Departamento de arte:
Kevin Nikou


Coordinador de acrobacias:
Gurneet Eljon


Diseño de guión:
Kathy Neyla


Imágenes : Vicki Rokia
Co-Produzent : Ilef Soboul


Productor ejecutivo : Kirby Conrad


Director de arte supervisor:
Mcclain Ciwan


Produce|Producir : Amna Vasseur


Fabricante: Sana Lemuel


Actriz : Janine Jouvet








5.2
361















































Título de la película






November Criminals 2017 Estreno España







Hora




112 minuto





Lanzamiento




2017-12-08





costo




FLV 720p
Blu-ray





Género




Crime, Drama, Mystery, Thriller





habla




English





nombre de reparto




Kelvin
K.
Ninette, Studio EastNanon A. Juan, Shirine E. Qusay







[HD] November Criminals 2017 Estreno España



When Addison investigates the murder of his friend Kevin with the help of Phoebe, they discover that the truth is darker than they had ever imagined.


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The Lovely Bones 2009 Estreno España

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